Edward

Sponsor's Foreword
Directors' Forewords
Introduction: Edvard Munch: The Modern Eye, by Angela Lampe and Clément Chéroux

--Medium as Muse
--Munch, Medium Specificity and Modernity, Nicholas Cullinan

--Reworkings
--Dislocated Motifs: Munch's Tendency Towards Repetition, Angela Lampe
Notes, Edvard Munch

--Autobiography
--'Write your life!': Photography and Autobiography, Clément Chéroux

--Optical Space
--Depth of Field, Clément Chéroux

--On Stage
--Munch and Max Reinhardt's Modern Stage, Angela Lampe
--How Munch Came to Reinhardt and to the Deutsches Theater, 1926, Arthur Kahane

--Compulsion
--'The woman, he must weep', Arne Eggum
--Repetition in the Writings of Edvard Munch, Mai Britt Guleng

--Dematerialisation
--Radiation: Metabolising the 'new rays', Pascal Rousseau
Notes, Edvard Munch

--Amateur Filmmaker
--The Cinema-Art Galleries of Halfdan Nobel Roede, Ingebjørg Ydstie
--Munch the Filmmaker, A Recalcitrant Amateur, François Albera
--Memories of Oslo, 1962 (extracts), Hugo Perls

--The Outside World
--Munch's Postcards, Sivert Thue
--History, Events and Stories, Lasse Jacobsen
--The Altercation with Ludvig Karsten, Magne Bruteig
--'Recording the waves emitted by society', Gerd Woll

--Drawing and Photography
--Drawing versus Photography, Clément Chéroux
--Drawn or Snapped?, Paul Westheim
--Response to 'Das Kunstblatt', Edvard Munch

--The Averted Eye
--'Painting is what the brain perceives through the filter of the eye', Ingebjørg Ydstie
--The Entoptic Vision of Edvard Munch, Philippe Lanthony
--A Modern Eye: Edvard Munch's Self-Portraits after 1908, Iris Müller-Westermann

Chronology, by Aurore Méchain
Select Bibliography
Exhibited Works
Lenders and Credits
Index