Edward

--The Living Room
--The Potting Shed
--The Complaisant Lover
--Carving a Statue
--The Return of A. J. Raffles
--The Great Jowett
--Yes and No
--For Whom the Bell Chimes

Introduction, by Grażyna Drabik and David Curzon

--A Path in the Woods

Early Poems

from Goodnight to Mother (1959)
--The Mouths of Streets
--She Gets Up
--I Was Standing
--"Look," Mother Says

from In the Bird's Eye (1960)
--Futile

from Sources (1962)
--A Hand

from Impermanent Things (1963)
--[The time of harvest and the time of poems is passing]

from Revocation of Myth (1967)
--Grandparents

from Exile (1970)
--Anaximander Lands at the Shore of Exile and Founds the City of Sozopolis
--Angels

The White Manuscript (1970)

--[I was born]
--[Oh Anna Jan]
--[I don't know how a day flew by us]
--[All the photographs come flying]
--[Where do your dreams sleep now]
--[To be the earth]

The Second Happiness of Job et al.

from Herods (1972)
--A Leap

from The Second Happiness of Job (1974)
--The Return of Job
--The Silence of Job
--Job and a Woman
--The Departure of Job
--Late Summer
--Trees
--Grandma
--Gratitude
--Doctor Edith Stein
--The Other World
--Small Things

from The Manuscript Found in a Dream (1978)
--Cassandra at a Loss
--Doctor Korczak's Lie
--Names
--Dictionaries
--Summer
--Mothers
--The Just
--Bodies
--A Prayer That Will Be Answered
--Emmaus
--Conscience
--At the Border of Paradise
--The Moment of Reconciliation
--On a Sonnet by Leah Goldberg
--A Droplet of Blood

from Silences (1979)
--A Hedgehog
--Souls of Animals
--The Lamp
--The Washing of Feet
--Old Age
--Beautiful Hands Seen in a Tram
--Don't Worry
--A Pink Sweater

Late Poems

from In Mid-Word (1983)
--The Death of Simone
--The Empty Places
--In Mid-Word

from Two Darknesses (1984)
--A Talk with Mother
--Transformation
--Thirteen-Year-Old
--Annunciation
--Funny
--Thanks
--In a Hospital
--Elijah's Widow
--Things of This World
--Dying
--Lack of Faith
--Through the Body
--Hurry up
--Service
--Those Who Carry
--Into Solitude

from A New Name (1987)
--On the Threshold of the Poem
--Melancholy
--Classicism
--A Witness to Process
--Alter Ego
--A City Map
--Rembrandt
--The Weariness of the Prophet Elijah

from Silences and the Shortest Psalms (1988, posthumous)
--A Prayer

from Two Darknesses and Last Poems (1989, posthumous)
--As When in a Crowd
--Patience
--Difference
--Saint Martha
--Three Crosses
--On the Cross

--Extracts from The Notebook (1965-1972) and The Notebook (1973-1979)

Acknowledgments

Introduction

Volume I

Preface to Volume I

--On Jealousy
--Sex and Happiness
--Tourists: We Lose Our Charm Away from Home
--The Menace of Old Age
--In Praise of Artificiality
--Who May Use Lipstick?
--The Lessons of Experience
--Hope and Fear
--Are Criminals Worse than Other People?
--The Advantages of Cowardice
--The Decay of Meditation
--Marriage
--On Being Good
--Who Gets Our Savings?
--Children
--On Politicians
--Keeping Pace?
--On Snobbery
--Whose Admiration Do You Desire?
--On National Greatness
--Is the World Going Mad?
--Are We Too Passive?
--Why We Enjoy Mishaps
--Does Education Do Harm?
--Are Men of Science Scientific?
--Flight from Reality
--Illegal?
--On Optimism
--As Others See Us
--Taking Long Views
--On Mental Differences Between Boys and Girls
--On the Fierceness of Vegetarians
--Furniture and the Ego
--Why Are We Discontented?
--On Locomotion
--Of Co-operation
--Our Woman Haters
--The Influence of Fathers
--On Societies
--On Being Edifying
--On Sales Resistance
--Should Children Be Happy?
--Dangers of Feminism
--On Expected Emotions
--On Modern Uncertainty
--On Imitating Heroes
--On Vicarious Asceticism
--On Labelling People
--On Smiling
--Do Governments Desire War?
--On Corporal Punishment
--If Animals Could Talk
--On Insularity
--On Astrologers
--On Protecting Children from Reality
--The Decay of Intellectual Standards
--Pride in Illness
--On Charity
--On Reverence
--On Proverbs
--On Clothes
--Should Socialists Smoke Good Cigars?
--A Sense of Humour
--Love and Money
--Interest in Crime
--How to Become a Man of Genius
--On Old Friends
--Success and Failure
--On Feeling Ashamed
--On Economic Security
--On Tact
--Changing Fashions in Reserve
--On Honour
--The Consolations of History
--Is Progress Assured?
--Right and Might
--Prosperity and Public Expenditure
--Public and Private Interests

Volume II

Preface to Volume II

--Christmas at Sea
--How People Economise
--Do Dogs Think?
--How People Take Failure
--On Conceit
--On Bores
--Politics and Sport
--On Reticence
--The Good Old Days
--On Becoming Civilised
--On the Art of Persuading
--The Prospects of Democracy
--The Admiration of Strength
--The Triumph of Stupidity
--On Utilitarianism
--On Race Hatred
--The Spirit of Adventure
--What Makes People Likeable
--On Self-Righteousness
--Emotions About Spending Money
--The Origin of Victorian Virtue
--On Propriety
--I Escape from Progress
--Experts and Oligarchs
--Fugitive and Cloistered Virtue
--On Being Ashamed of Virtue
--Men versus Insects
--The Paralysis of Statesmanship
--On Orthodoxies
--Means to Ends
--Individualist Ethics
--The Cult of the Individual
--On Being Argumentative
--On Mediaevalism
--In Praise of Dullness
--The End of Pioneering
--Combating Cruelty
--Can We Think Quickly Enough?
--On Discipline
--Expecting the Millennium
--The Churches and War
--On Loving Our Neighbours
--On Self-Control
--Respect for Law
--On Euthanasia
--On Equality
--The Father of the Family
--On the Origins of Common Customs
--On Transferring One's Anger
--On Adult Education
--On Curious Beliefs
--Competitive Ethics
--Is Anybody Normal?
--Egoism
--Back to Nature?
--Parental Affection
--Benevolence and Love of Power
--Irrational Opinions
--Science and Happiness
--Social Sciences in Schools
--Race and Nationality
--The Problem of Leisure
--What to Believe
--Instinct in Human Beings
--Fashions in Virtues
--On Comets
--Fear and Amusement
--On Curious Learning
--On Being Important
--Censorship by Progressives
--Protecting the Ego
--Climate and Saintliness
--Why Travel?
--Obscure Fame
--Insanity and Insight
--On Ceremony
--Love of Money
--On Specialising
--Good Manners and Hypocrisy
--On Being Insulting
--Vigorous and Feeble Epochs
--The Decrease of Knowledge

Notes
Published Essay Titles

Introduction, Acknowledgments & Abbreviations

Stories

--The Agony of the Partition
--The Crocodile without any Tail
--Gloria Gammage
--Hush Money
--Incident
--Lady Asterisk.
--In Maine: Green's Colony
--Monde Triple-Extra
--New York Camelio
--Pazzarella
--Piero & Eliza.
--The Stomach
--The Three Wishes
--Transfiguration.

Drama

--Crystal Pantomime
--The Pamperers
--Rosa
--The Sacred Prostitute

Essays and Commentary

--All the laughs in one short story by McAlmon
--Brancusi and the Ocean
--My Catholick Confidante
--Censor Morals Sex.
--Conversion
--Gate Crashers of Olympus---
--Gertrude Stein
--Havelock Ellis
--History of Religion and Eros
--The Library of the Sphinx.
--The Logos in Art.
--The Metaphysical Pattern in Aesthetics.
--Mi & Lo
--The Oil in the Machine?
--Tuning in on the Atom Bomb
--Universal Food Machine
--William Carlos Williams

Notes

Preface

Michelangelo Buonarroti - Life and Work, Frank Zöllner, Christof Thoenes
--The start of a magnificent career 1475-1491
--Between Florence, Bologna and Rome 1492-1500
--The breakthrough in Florence 1501-1504
--Between Rome and Florence 1505-1508
--The Sistine Ceiling 1508-1512
--The architect in Florence 1513-1534
--The sculptor 1513-1534
--Presentation drawings and Last Judgement 1534-1541
--The architect in Rome 1534-1564
--Late works: The final paintings and sculptures 1540-1564

--Epilogue

--Catalogue of sculptures, Frank Zöllner
--Catalogue of paintings, Frank Zöllner
--Catalogue of architecture, Christof Thoenes

Catalogue of Drawings, Thomas Pöpper, Christof Thoenes
--"a fare le figure" - the art of drawing
--1. Autodidactic sheets, c. 1490-1505/06
--2. Early religious subjects, early commissions and the Julius Tomb, 1501/02-1531/32
--3. The Sistine Ceiling, 1508-1512
--4. Anatomical and proportional drawings, 1510s-1530s
--5. Tombs, utensils and the New Sacristy/Medici Chapel, 1516/18-1544/45
--6. Religious and mythological subjects, 1517/20-1534
--7. Didactic sheets, masks and caricatures, 1504-1528
--8. Divine Heads and other gift drawings, 1520/25-c. 1533
--9. The Last Judgement and the Pauline Chapel, 1533/34-1546/47
--10. Late religious drawings, 1545-c. 1560
--11. Other drawings and sketches of marble blocks, 1517/18-1547
--12. The architectural drawings
--13. Tommaso de' Cavalieri's collection of drawings

Concordance of drawings
Bibliographical sources (Life and Work)
Bibliography
Index
Credits
Acknowledgment
Imprint

Acknowledgments
Foreword
Translators' Introduction

--The Mysteries of Paris

Letter from Eugène Sue to the Editor of 'Le Journal des Débats'
French Currency in the Nineteenth Century

Introduction: Perspectives on Bosch

--I. Family origins and first works 1474-1487
--II. Social and artistic ascent 1488-1501
--III. In the labyrinth of images: The Temptation of St Anthony c. 1502
--IV. Nuptial art: The Garden of Earthly Delights c. 1503
--V. Art for the king: The Last Judgement c. 1506
--VI. Exemplum docet: Late works 1504-1516

--Epilogue: An enigmatic bequest

--Catalogue of paintings
--Catalogue of drawings

Documentary sources on Bosch's life and work
Bibliography
Index
Acknowledgements
Photo credits
Imprint

A Note About the Translator

--Embers

--Art in Vienna 1898-1918: Klimt, Kokoschka, Schiele and their Contemporaries

Notes
Select Bibliography
Index
Picture Credits

Words of Greeting, by Klaus-Peter Müller
Foreword, by Max Hollein

Essays
--Monet and the Birth of Impressionism, Felix Krämer
--"Between the Motif and Me": Visual Filters and Obstructions to Seeing in the Impressionist Image, Nerina Santorius
--Instants, Moments, Minutes: Impressionism and the Industrialisation of Time, André Dombrowski
--Invited or Rebuffed? Exploring the Effects of Early Impressionist Foregrounds, Hollis Clayson

Plates
--Prologue: From Non Fini to Impression: The Birth of a New Painting, Isolde Pludermacher

--From Salon Success to Avant-Garde Painting: Claude Monet's Artistic Path to Impressionism, Dorothee Hansen
--A Stage Spectacle: Édouard Manet's The Universal Exhibition of Paris 1867, Felicity Korn
--Provocatively Private: Claude Monet's The Luncheon. Farewell to Figure Painting, Felix Krämer
--Spontaneity and Calculation: Édouard Manet's The Game of Croquet, Marlene Bielefeld
--Berthe Morisot and Her Contribution to the Impressionist Movement, Ingrid Pfeiffer
--The Real in the Artificial: Edgar Degas' Orchestra Musicians, Svenja Mordhorst
--Forms of Contact: August Renoir's After the Luncheon, Beate Söntgen
--The Deceleration of the Gaze: Claude Monet's Exterior of Saint-Lazare Station (The Signal), Nerina Santorius

--Epilogue: Fluid World: The Cultural-Historical Context of Impressionism, Christoph Asendorf

Essays
--Of Peaceful Coexistence and Conducive Competition: On the Relationship of Painting and Photography at the Time of Impressionism, Nele Putz
--Impressionism in the Caricature, Chantal Eschenfelder
--Composition Planning and Paint Application in Claude Monet's Oeuvre: Two Paintings from the Collection of the Städel Museum, Eva Bader

Technical Investigations of the Paintings Belonging to the Städel Museum, Eva Bader/Stephan Knobloch
Short Biographies, Maria Zinser

List of Exhibited Works
Bibliography
Lenders
Colophon
Photo Credits

Acknowledgements
A Note to the Reader

--Hokusai: a Universe, Gian Carlo Calza
--The Young Hokusai, Roger S. Keyes
--Western Influences in Hokusai's Art, Matthi Forrer
--'All Creation is the Teacher': Hokusai the Individualist in Two of his Painting Manuals, John M. Rosenfield
--Love's Labours Found: the Erotic Art of Hokusai, Richard Lane
--Surimono Art and Literary Circles: the Genroku kasen kai awase and Umazukushi Series, Asano Shūgō
--In a Fantasy World: Hokusai's Late Works, Tsuji Nobuo
--Hokusai's Letters, Kobayashi Tadashi

--I. Under the Sign of the Dragon: the Shunrō Period
--II. Individualism and Autonomy: the Sōri Period
--III. Maturity: the Hokusai Period
--IV. Handbooks, Handbooks, Handbooks: the Taito Period
--V. Revolution in Landscape: the Iitsu Period
--VI. Beyond the Impossible: the Manji Period
--VII. Beyond the Margins of the Western Sea: Hokusai and Japonisme

--List of Works

Glossary
Bibliography
Index of works by Hokusai
General Index

Introduction
Note on the Text
Select Bibliography
A Chronology of Walter Bagehot

--The English Constitution

Explanatory Notes

Introduction: Glamour and Grammar, by Benjamin Moser

First Stories
--The Triumph
--Obsession
--The Fever Dream
--Jimmy and I
--Interrupted Story
--The Escape
--Excerpt
--Letters to Hermengardo
--Gertrudes Asks For Advice
--Another Couple of Drunks

Family Ties
--Daydream and Drunkenness of a Young Lady
--Love
--A Chicken
--The Imitation of the Rose
--Happy Birthday
--The Smallest Woman in the World
--The Dinner
--Preciousness
--Family Ties
--Beginnings of a Fortune
--Mystery in São Cristóvão
--The Crime of the Mathematics Teacher
--The Buffalo

The Foreign Legion
--The Disasters of Sofia
--The Sharing of Loaves
--The Message
--Monkeys
--The Egg and the Chicken
--Temptation
--Journey to Petrópolis
--The Solution
--Evolution of a Myopia
--The Fifth Story
--A Sincere Friendship
--The Obedient Ones
--The Foreign Legion

Back of the Drawer
--The Burned Sinner and the Harmonious Angels
--Profile of Chosen Beings
--Inaugural Address
--Mineirinho

Covert Joy
--Covert Joy
--Remnants of Carnival
--Eat Up, My Son
--Forgiving God
--One Hundred Years of Forgiveness
--A Hope
--The Servant
--Boy in Pen and Ink
--A Tale of So Much Love
--The Waters of the World
--Involuntary Incarnation
--Two Stories My Way
--The First Kiss

Where Were You at Night
--In Search of a Dignity
--The Departure of the Train
--Dry Sketch of Horses
--Where Were You at Night
--Report on the Thing
--Manifesto of the City
--The Conjurings of Dona Frozina
--That's Where I'm Going
--The Dead Man in the Sea at Urca
--Silence
--A Full Afternoon
--Such Gentleness
--Soul Storm
--Natural Life

The Via Crucis of the Body
--Explanation
--Miss Algrave
--The Body
--Via Crucis
--The Man Who Showed Up
--He Drank Me Up
--For the Time Being
--Day After Day
--The Sound of Footsteps
--Before the Rio-Niterói Bridge
--Praça Mauá
--Pig Latin
--Better Than to Burn
--But It's Going to Rain

Vision of Splendor
--Brasília

Final Stories
--Beauty and the Beast or The Enormous Wound
--One Day Less

Appendix: The Useless Explanation

Translator's Note, by Katrina Dodson
Bibliographical Note
Acknowledgments

Preface: Mission Impossible
Introduction: Signals from the Past

--A History of the World in 100 Objects

Maps
List of Objects
Bibliography
References
Text Acknowledgements
Acknowledgements
Index

Acknowledgments
Introduction
Principle Figures in the Tale

--The Tale of the Heike

Genealogies
Maps
Hours, Eras, and Emperors

Acknowledgements
Introduction
Note on the Text
Select Bibliography
A Chronology of Wyndham Lewis
Map of Paris

--Tarr

Appendix: Preface to the 1918 American Edition
Explanatory Notes
Glossary of Foreign Words and Phrases